JamunaProjectsArchiveVisionDigging Holes & Sailing Salt2023×

Digging Holes & Sailing Salt - theatre version2023

00:16:23
ChoreographyPerformance

For „Digging Holes & Sailing“ I am continuing a more personal research around the phenomena of holes in it‘s larger sense on how we access reality through our holes and what is may needed to fall in to a hole or to get out of it.

This shortpiece tells the story of a creature that falls into a hole and slowly makes its way out by its way out by putting on several layers of clothing while it is in constant motion and increasingly in constant motion and becoming increasingly dense.

*Sailing Salt is a poetic image of how to navigate through the sweat that appears on the skin, how to connect the space and the skin with its porosity through the layer of sweat and using it to gain wind

Digging Holes & Sailing Salt deals with the desire to give a voice to unnamed forms of existence from beneath the earth and interweaves parts of Sarah Vanhee's essay "The Fantastic Institutions" into the material. Perhaps this solo dance is a protest, a poem or an excursion into a world that is often invisible and therefore less perceived. In this sense, the dance and the movement become transformers of voices or thoughts and, in the best case, provoke an altered state. The movement material lives from how it is performed. Simple, repetitive sequences are performed into the space with care and awareness. Repetitive elements mixed with interruptions form an important framework of the choreography.

Strobing (double time dime-stop)

In Digging Holes & Sailing Salt, Jamuna works with the technique of "strobing", a quality of movement that she got to know through the dance culture of popping and was was fascinated by this effect, which creates an illusory strobing effect. She uses this form of movement to lead herself into a state of constant interruption. Dew worms, for example, live in the ground and react sensitively to changes in light. If they suddenly perceive light or shadow, they can quickly bury themselves, which corresponds to a kind of switching on and off of their behavior.

Year
2024
Duration
00:14:47
Concept / choreography
Jamuna Mirjam Zweifel
Performance
Jamuna Mirjam Zweifel
Outside Eye
Maureen Zollinger
Sound
Léa Jullien
Light
Tanz in Olten
Costume
Jamuna Mirjam Zweifel
Production Management
Jamuna Mirjam Zweifel
Documentation
Eve Mukkti
Project link
Full Video Performance
Project link
Trailer Video Performance
Showing
SHORT CUTS Festival Tanz in Olten

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